Matilda the Musical (Theater Co.)

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Anthony De Luca
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Matilda the Musical (Theater Co.)

Post by Anthony De Luca » Sun Mar 22, 2020 12:52 pm

Matilda - The Musical
Shanachie Theater Company
March 23rd - April 4th


Matilda Wormwood - Mairead Harker
Miss Agatha Trunchbull - Anya Chavez
Mr. Wormwood - Eregor Tur Gairdin
Mrs. Wormwood - Carina Cox
Michael Wormwood - Robert Lassiter
Mrs. Phelps - Tippletoe Timbers
Rudolpho - Asher Price
The Escapologist - Dorian Hadley
Henchmen - Doran Ilnaren/Hector Brady (NPC)/Gary Poole (NPC)
The Acrobat - Yasmin
Teacher - Hugo Durant
Doctor - Felix Bailey (NPC)
Party Entertainer - Arandir
Miss Honey - Alexandra Doyle (NPC)
School Children - Played by members of the Shanachie STARS
Last edited by Anthony De Luca on Tue Mar 24, 2020 6:01 pm, edited 2 times in total.
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Re: Matilda the Musical (Theater Co.)

Post by Anthony De Luca » Sun Mar 22, 2020 12:53 pm


Act I

As a chorus of children boast about being their parents' miracles, the ballroom dancing-obsessed Mrs. Wormwood gives birth to a baby girl called Matilda. The doctor thinks Matilda is the most beautiful child he has ever seen, but Mrs. Wormwood is only worried about a dancing contest she has missed. Similarly shallow, Mr. Wormwood—a used-car salesman and television addict—dismisses the child when he realizes she is a girl ("Miracle"). Five years later, Matilda is an avid reader and lives unhappily with her parents and her older, gormless brother Michael. The Wormwoods are oblivious to her genius and frequently mock and verbally abuse her. Matilda adds some of her mother's hydrogen peroxide to her father's hair oil, leaving Mr. Wormwood with bright green hair ("Naughty").

At the local library Matilda tells Mrs. Phelps a story about a world-famous acrobat and escapologist couple who long to have a child but they can't. To distract themselves from their sadness they announce to the world's press that they will perform an exciting and dangerous new act ("Once Upon a Time"). The next day is Matilda's first day at school ("School Song"). Her teacher Miss Honey is impressed by Matilda's precociousness and ability, so she recommends that Matilda be moved to the top class with the older children ("Pathetic"). However, the child-hating, disciplinarian headmistress Miss Trunchbull, a former world champion hammer thrower, dismisses Miss Honey's suggestion and lectures her on the importance of following rules ("The Hammer").

At the Wormwoods' house, Mr. Wormwood is frustrated about losing a sale of worn-out cars to a group of rich Russians. He takes his frustration out on Matilda and destroys one of her library books, prompting her to put superglue around the rim of his hat and fix it to his head ("Naughty Reprise"). At school, Matilda is told of Miss Trunchbull's cruel punishments, including the Chokey: a tiny cupboard lined with sharp objects in which she locks disobedient children for hours ("The Chokey Chant"). Matilda sees Miss Trunchbull spin a small girl, Amanda Thripp around by her pigtails and throw her across the playing field. Meanwhile, Miss Honey decides to visit the Wormwoods to express her recommendation that Matilda be put in an advanced class. She meets Mrs. Wormwood and her dance partner Rudolpho. It soon becomes apparent that Mrs. Wormwood doesn't care about her daughter's intelligence, and she mocks Miss Honey and Matilda's interest in books and intellect ("Loud"). Alone outside the Wormwood's house, Miss Honey is desperate to help Matilda but feels powerless to do so ("This Little Girl").

Matilda tells Mrs. Phelps more about the acrobat and the escapologist. The acrobat's sister, a former world champion hammer-thrower who loves to scare small children, has arranged their performance. The escapologist announces that the performance has been cancelled because the acrobat is pregnant. The crowd is thrilled but the acrobat's sister is furious at the prospect of refunding the crowd's money and produces a contract binding them to perform the act or go to jail ("The Great Day Arrived"). At school, Bruce Bogtrotter, a boy in Matilda's class, has stolen a slice of Miss Trunchbull's personal chocolate cake. Miss Trunchbull punishes Bruce by forcing him to eat the entire cake in front of the class, who bravely support him ("Bruce"). After Bruce has finished the cake, the class celebrates his success but Miss Trunchbull drags Bruce away to the Chokey.
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Re: Matilda the Musical (Theater Co.)

Post by Anthony De Luca » Sun Mar 22, 2020 12:54 pm

Act II

Mr. Wormwood advises the audience against reading in favor of watching television ("Telly"). Lavender, a girl in Matilda's class, tells the audience that she is going to put a newt in Miss Trunchbull's jug of water later on. The children gather and sing about their hopes for when they grow up ("When I Grow Up"). Matilda resolves to end Miss Trunchbull's cruelty. She tells Mrs. Phelps more of the story of the acrobat and the escapologist. Bound by their contract, they perform their feat, which goes well until the last moment when the acrobat is fatally injured, living just long enough to give birth to a girl. The escapologist invites the acrobat's sister to move in with him to help look after his daughter. Unknown to the escapologist, the girl's aunt is secretly cruel to her, forcing her to perform menial tasks and abusing her verbally and physically ("The Trick Started Well").

Mr. Wormwood returns home from work pleased because he has sold his worn-out cars to the wealthy Russians ("I’m So Clever"), having used an automatic drill to wind back their odometers. Matilda is annoyed at her father's deceit and scolds him, which angers him and he locks her in her bedroom. That night, Matilda continues the story of the acrobat and the escapologist. After years of cruelty, the aunt's rage has grown; one day she beats the child, locks her in the cellar and goes out. That evening, the escapologist returns home early and discovers the extent of the aunt's cruelty. As he comforts his daughter, he promises her he will always be there for her. Filled with rage, he runs out to find the aunt but is never seen again ("I'm Here").

The next day, Miss Trunchbull forces Miss Honey's class to undergo a gruelling physical education lesson ("The Smell of Rebellion"). Miss Trunchbull discovers the newt in her jug; she accuses one of the boys, Eric, who has already riled her during the lesson. She starts to punish him. Matilda scolds Miss Trunchbull for being a bully. Miss Trunchbull verbally abuses Matilda, but Matilda discovers she can move objects with her mind ("Quiet"). She tips over the water jug and the newt lands on Miss Trunchbull, and climbs up her leg. After Miss Trunchbull leaves Matilda demonstrates her powers to Miss Honey, who is surprised and invites Matilda to her house for tea. On the way Matilda admits that her father is not proud of her and calls her names.

Miss Honey tells Matilda of her cruel and abusive aunt, who looked after her as a child after her parents died. When Miss Honey first became a teacher, her aunt produced a bill detailing everything Miss Honey consumed as a child, along with other expenses, and forced her to sign a contract binding her to pay it all back. Desperate to escape, Miss Honey found refuge in an old farm shed which she moved into and lives in abject poverty. Despite this, Miss Honey finds beauty in her meagre living conditions ("My House"). As Miss Honey tells her story, she produces a scarf which Matilda recognizes from her story of the acrobat and the escapologist—which she realizes is the true story of Miss Honey's childhood, and that her wicked aunt is Miss Trunchbull.

Back at school, Miss Trunchbull forces the children to take a spelling test; anyone who misspells a word will be sent to Chokey. The children fail to misspell a single word, so Miss Trunchbull invents a word in order to be able to punish Lavender. As Lavender is about to be taken to Chokey, her classmates deliberately misspell simple words, telling her she cannot send them all to the Chokey. However, Miss Trunchbull has built many more Chokeys. Matilda uses her powers to write on the blackboard and convinces Miss Trunchbull that it is the ghost of Miss Honey's father, demanding that she give his daughter back her house or he will get her ("Chalk Writing"). Miss Trunchbull runs from the school screaming and the children celebrate their freedom ("Revolting Children").

At the library, Miss Honey and Mrs. Phelps relay the aftermath of the events. A few days after Miss Trunchbull ran away, Miss Honey's parents' will has been found; they left all their money and their house to her. Miss Trunchbull is never seen again and Miss Honey becomes the new headmistress of the school. Matilda cannot use her powers again and Miss Honey is sad that a child who has helped others this way is stuck in an unloving home. The Wormwoods arrive at the library in a panic, telling Matilda that she must leave with them because they are fleeing to Spain. The wealthy Russians Mr. Wormwood was dealing with are the Russian Mafia, who are unhappy about being sold broken cars. Miss Honey asks if Matilda can stay with her, but the mafia arrive before a decision can be made. Sergei, the head of the Mafia, is impressed and moved by Matilda's intellect and respect, and he agrees not to harm the Wormwoods providing he never has to deal with Mr. Wormwood again ("This Little Girl Reprise"). Mr. Wormwood agrees to let Matilda live with Miss Honey. ("When I Grow Up Reprise" / "Naughty Reprise II")

((You all know what to do! And remember to have fun with it! :) ))
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Re: Matilda the Musical (Theater Co.)

Post by Consonance » Sun Mar 22, 2020 3:44 pm

Rudolfo's part was not a big one but that mattered little to Asher. His presence backstage was consistent and he openly welcomed the younger thespians, thrilled to have them a part of the show. He had been a teenager when he had started performing, so it wasn't quite the same as his own start, but new blood was always a good thing. As such, an abundance of gummy snacks could be found in the green room along with more than a few pixie sticks for an extra sugar boost that he was sure all the parents would love him for.
"There are only two things. Truth and lies. Truth is indivisible, hence it cannot recognize itself; anyone who wants to recognize it has to be a lie."
--Franz Kafka
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Re: Matilda the Musical (Theater Co.)

Post by Mairead Harker » Mon Mar 30, 2020 3:44 pm

″‘A precocious child,’ Miss Honey said, ‘is one that shows amazing intelligence early on. You are an unbelievably precocious child.‘”

Before each rehearsal and performance of Matilda, Maggie spent time in one of the Shanachie’s practice rooms. First, it was time with her fiddle; it helped to settle her mind. Her elder sister, Pearl, came in to play piano and sing the other part of a duet that had become an anthem for the teenager.

“Can we take this from here and in the key it’s written?” Maggie gestured to the place on the sheet music. Pearl started with a few chords before beginning the piece as Maggie sang. Her young mezzo-soprano voice was clear and strong.

I'm through accepting limits
'Cause someone says they're so
Some things I cannot change
But till I try, I'll never know

In recent days, she had come to understand her grandparents more and more. Her Harker grandparents represented what was normal for her human side. They had encouraged her to play the piano and violin when Maggie was not so sure of her own abilities. Richard Harker relished bragging about the medals his grandchildren were winning in equestrienne events. Sports were a way of life for many a Londoner. Catie’s gymnastics and dancing prowess were a topic of conversation at the ladies tea circle; she was the sensitive, artistic one. Rick was quickly becoming a chessmaster and loved kicking a ball about the field. Like his Uncle Bertie, he had a head for math and figures. Aunt Tilly enjoyed boasting about the children as well. After all, her son had a hand in their upbringing. As a first child and grandchild, more had been expected of Mairead. It was true of most first children as parents never knew if it would be their only chance to get things right. It was Colleen and Tass that encouraged her to embrace the nonhuman part of her being. It wasn’t that her parents didn’t, it was that the elders had been through it before with others.

Despite her penchant for dueling and using weapons, the theater had become one of her happy and safe places. No one ever told her she wasn’t capable of giving a good performance because she was too young. Her best was always expected. Unlike sports where one competed as an individual, theater productions were a team effort. If one person was off, others were off or needed to compensate for the change.

And if I'm flying solo
At least I'm flying free
To those who'd ground me
Take a message back from me

Maggie paused in her singing to study her elder counterpart. “Pearl, how did you get them to understand?”

“Which who do you mean?” Pearl slid her hands from the keyboard and turned her upper body to face Maggie.

Maggie made air quotes with her fingers. “Adults.”

“Oh,” Pearl said quietly, “some never will.”

“Somehow, I thought you would say that.” Maggie chuckled as she traded places with Pearl. The elder of the pair did her dance warm up as Maggie played the piano. Her favorite classical piece was Chopin’s Prelude in C Minor, Opus 28, Number 20. The music flowed into a more modern tune called Could It Be Magic.

“Age is not a true constant, Maggie. Take Aunt Mara for instance. She was born like most humans are, carried within her mother. But.” Pearl held onto the barre for balance as she went through her routine.

“There’s that infamous big little word again.”

“Mhm.” Pearl nodded. “After being exposed to a certain type of magic, she was no longer the baby her mother was planning to raise.”

“Which is how she became our aunt.” Maggie nodded.

“Right, but my point is that chronologically she was a few months old, but physically, she was about sixteen.”

“Gives a different meaning to growing up fast, doesn’t it?”

“It does, but how should she have been treated? Like the few months old person she truly was or like the sixteen year old body she was inhabiting?”

“I guess that depends.”


“She would still have had to learn to read and all.” Maggie had a puzzled look on her face. “I guess it would be expected that she would have already known how to walk by someone that didn’t know her story. It’s like a newborn foal that has to learn to run or get left by the herd.”

“Now you’re getting it.” Pearl nodded. “You can’t actually tell how old a horse is by looking from afar.” She finished her stretches. “I know the issue isn’t that you want to be treated like an adult, but I’ve already lived through that.”

“Lucky you,” Maggie quipped. “You’re right, it’s not about age. It’s about having my accomplishments diminished because someone thinks I’m too young or because I’m female.”

“Ooof.” Pearl chuckled. “Don’t let Gran hear you say that bit.”

“You know as well as I do that it still happens, even in Rhydin.” Maggie began to run her fingers over the keys again. “I guess that’s why this show means so much to me.”

A wry smile drifted across Pearl’s lips. Dahl’s Matilda had been a childhood favorite. “Go on.”

Maggie’s laughter filled the practice room. “You know the book as well as I do, maybe better! It’s that whole, I’m right and you’re wrong, I’m big and you’re small, and there’s nothing you can do about it business that’s the problem. So, I did something about it, but not to prove anything to them, to prove it to myself.”

“Which is, as we were taught, all that we need to do.” Pearl did a few slow spins. She talked while she did as it helped with her breath control. “For some people, it will never be good enough.”

“For some people, nothing ever is.”

The rapping of knuckles was heard. “Curtain in ten, Maggie.”

“Thank you!” she called back. “It’s showtime!” Maggie grinned and tied the bright red ribbon into her hair. Before leaving the room, she paused to give Pearl a hug. Once she hit the stage, she would bring the precocious Matilda Wormwood to life. If anyone understood how Matilda felt inside, it was Maggie.

((Lyrics are from the musical, "Wicked" and the opening quote is from Matilda by Roald Dahl))
"And those who have not swords can still die upon them." - Eowyn, shieldmaiden of Rohan
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