Colcha

A look into the lives of some not particularly great people just trying not die.

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Mona Oliveira
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Colcha

Post by Mona Oliveira »

(These have been moved from dat other RDI site and are therefore super old. I did quite a lot of research on the Portuguese Inquisition, because I'm a nerd, but if any of you are nerdier about such a thing and spy errors - I am so sorry. Trigger warnings include violence, mayhem, abuse and vampire fuckery.)

Namorada - 1497


Mona learned that she had a father a few weeks before her fifth birthday. It was a strange revelation, for the child had sincerely believed that she, out of millions, had been the product of her mother and her mother alone. It was silly to believe such a thing, but neither her mother Yael, nor her grandfather Nechimiah had thought to tell her otherwise. Both had seemed content to foster the little girl's strange whimsies.

Once.

The weeks leading up to the discovery had left no room for either adult to participate in little Ramona Oliveira's flights of fancy. Something had happened, something bad, and whatever it was had clipped the wings of the adults and mired them in reality. Yael and Nechimiah had grown secretive, their conversations hushed but rambling. Sometimes they didn't go to bed until the morning sun was up. Sometimes they didn't go to bed at all. Nechimiah was better at hiding his worry than his daughter, who regarded every odd noise, every unannounced knock at the door with fear, as if some monster was coming for her.

Mona asked often about the thing that had made them so fretful, or at least she had tried, but Yael ignored her daughter's questions time and time again and always directed the conversation to the little girl's prodigal father. Just the mention of the man was enough to put Nechimiah in a sour mood.

"He is named Joao da Silva, Almonda," her mother would say in robotic tones, and without fail Nechimiah would snort his disdain. Though the little girl was the apple of his eye, he cared not for the gentile who had deflowered her mother and left her with child. But since That Silva Man wasn't there to collect his wrath, the old man lent it to Mona's accursed nickname instead.

"Feh! The girl is not a nut, Vavrum!"

Usually the conversation ended there, but there was something different about that hot, sticky night that lent an imagined chill to the air. It was during that time that her father became more human to her, and that left her miserable.

"He works the fields," Yael continued, nonplussed by her father's earlier interruption. Yael was not beautiful, but she was pretty, with almond shaped eyes so pale they resembled amber and her face was made of sharp, high features. But now she looked old, far older than her twenty one years. "He..you have sisters." Her fingers traced the baby soft curls at the nape of her young daughter's neck. "He is a good man."

Across the room, Nechimiah looked up from the small chunk of wood he was working with his knife. His eyes were cold, his mouth hard and straight. "Do not lie to her. A good man. Feh! He is a drunk and would bed a donkey if it winked an eye at him."

Mona, her head resting upon her mother's breast and her thumb in her mouth, just stared at her grandfather, but she could hear Yael's heart racing and could feel the her tense up. She heard her mutter something, barely above a whisper; "Please father. Not this. Not now."

There was no way that Nechimiah had heard her, but something changed. His wrinkled face softened and his wet eyes were apologetic; ashamed. Mona's chest rose and fell with the force of a sigh and Yael rubbed her back. Whatever her mother had meant to tell her, her resolve had weakened.

But the days that followed were suffocating. Nechimiah would return with more bad news, which lead to longer, louder conversations. At some point they had stopped trying to keep them from Mona. Monsters were after them, after all of them. Mona was terrified at first. She refused to go outside alone, checked the doors even after her mother and grandfather had deemed them barred, and more often than not she went to sleep with her head beneath the covers.

Nechimiah noticed before Yael, and tried to calm her fear with stories, but they were halfhearted affairs that left the little girl wanting. Then one night he pulled his granddaughter onto his knee, as he had done since Mona could remember remembering, and she looked into his face with her large eyes and placed two small hands against his cheeks.

"Kontar un maas??"

Nechimiah smiled when she asked for a story and, as he had done a million times before, he removed Mona's hands gently from his face and nodded his head. "A story you shall have. Have I told you of your Nonna??"

Mona knew little of the woman, only that that Ramona had been just as loved but had died before she was born, and that she was named after her. So immediately the idea of hearing more about her drew the child's interest, and she shook her head. The old man nodded once, took a deep breath and began the tale.

"When your Nonna was a child of only four her family was taken by the Black Death. She wandered the streets of Beja barefooted, filthy and starving. A wandering doctor discovered her and took her into his home, but upon finding her burning with fever, he and his wife sought only to make her inevitable passing a comfortable one.

Still they prayed over her, morning to evenfall, and eventually she awoke to discover the doctor looming over her. Terrified of the stranger, and though still weak with sickness, she kicked him in the shin. For the rest of his days he bore the scar that her foot had gifted him. Yet he and his wife had grown to love her and over time, once her grief was not so fresh, she saw in them not the family that had been taken from her, but the one that had chosen her.

The doctor and his wife fought over what to name the little girl, for in her sickness she had forgotten even that, and eventually they settled upon Ramona. Surprisingly Catholic for a pair of Sephardim, but they found it appropriate to name the girl after Raymond Nonnatus, the patron of children.

Ramona thrived and grew, but sickness hounded her. Some days she would not remember her new name, or would recall her old family with no recollection of the new. Sometimes she would be given to tempers that vexed her parents. She never doubted their love for her, even after they married her off to a skinny, big eared boy from Evora."

Mona looked to his ears and went wide-eyed at the connection she had suddenly made. "You, Nonno?"

Nechimiah laughed. "I should hope so. Granted, I did not have much to offer. I was still an apprentice then, but my parents knew her own, and the dowry helped a great deal. She was..." he paused and sighed, his eyes distant as if he were chasing a fond memory, one that lent the bittersweet tilt to his smile, "..she was something. A force of nature. We were both ten and four when we were married, younger than your mother was when she birthed you, and within a year we were blessed with two boys, and," a frown then, "within a year they died. I was devastated, but your grandmother..I believe grief had grown fearful of her. 'Life is for the living, not the dead.' The next year came and went and Yael was born at the end of it. She was our last, but to have one child is a blessing, Little Mona.

At ten and six, your mother became pregnant with you, and I was none too happy. Ramona though, she balked at convention at every turn, and would not use our faith to chastise the girl. I know now that she was right, but at the time..well, we will leave that for when you are older. Anyone who dared say anything untoward, your grandmother was quick to correct them. Hurricane Ramona," and he was laughing again. It had been so long since he had laughed so much. But it was there and gone too quickly. "A few months before your birth, a fever took her away from us. We thought you would be joining her, you were so small and pitiful. Your mother was terrified to name you because we were so sure that you would die."

Little Mona sat up as prim as any lady might and pulled her hair around to cover her face, to remind her grandfather just how painfully young she was. "I lived though."

"You did. You were by no means a fussy babe, but very serious at times. It only seemed wise to name you Ramona."

"Will I die one day?"

The question startled Nechimiah, but the girl was nothing if not precocious, and after he had placed a kiss upon her forehead, an answer arose that seemed, at the time, suitable. "Everything dies, sweet girl. But you do not have to worry about that for a very, very long time."

Later that night, long after her grandfather had retreated to bed and her mother was asleep at her side, Mona lay awake. Yael whimpered in her sleep, tossed and turned and marked her cheeks with tears, and instead of hiding beneath her blanket as she had so often done, Mona wrapped her arms tightly around her mother and held on for dear life. She wasn't seeking comfort. She was trying to provide it; to battle the beasts that so plagued her Yael's dreams. Even after Yael had settled, Mona fought sleep for as long as she could, her little face twisted with resolve.

Grandmother Ramona wouldn't have been afraid of monsters, this Ramona knew, and she would have no doubt protected her family at all costs. That night and for nights afterward the spitfire's namesake stared into the darkness, silently daring the beasts in the shadows to try something.
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Re: Colcha

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Reunião- 1497


Even adults had their limitations, and so it was that what five year old Mona had hoped to accomplish had been nearly impossible. The monsters were closing in, beasts with paper sealed by the King's very wax, and the deal that had been cut with Mona's people was terrible at best. The Moors, the Sephardim and their ilk were to give all of their belongings to the Crown, and if they did not convert, they had to leave Portugal just as more than a few had left Spain, and they would do so without their children. Some had already converted, but that didn't guarantee safety, and the monsters were always lurking about, waiting for any signs that they were still practicing their religion.

Any at all.

just nine years later in Lisbon, a man would make the mistake of telling some Catholics that the visitation they saw in a church window was the simple reflection of a candle's flame, and over two thousand Jews, most Conversos, would be massacred without impunity; men, women, children and babes in arms.

If they left, Nechimiah and Yael reasoned, they might have a chance. Even Nechimiah had to admit that Joao, despite being a dyed in the wool scapegrace, would keep Mona out of harm's way until they could return. For what he was and what he wasn't, That Silva Man doted upon his children..or at least those he was aware of. After much discussion, it was time for Yael to inform Mona. The child wasn't having it. She had tried so hard to protect them. She had begun to believe that she had somehow scared the monsters away, but it was fruitless and, though ridiculous, her first taste of failure's bitter wine.

She screamed until she was hoarse, and the journey to Joao's villa was wrought with sobbing from both Mona and her distraught mother. Nechimiah had declined that particular journey. He had to get ready for their trip. It had been the first time in her short life that Mona had ever seen him cry. Mona had thought him a giant, but his sorrow was a painful reminder that he, like her mother and her grandmother and herself, were human.

Joao da Silva was a short man of lean muscle. His face, with his large doe eyes, was caught between pretty and rugged, and it bestowed upon him an impish quality that belied the desperation in his hungry blue eyes. His hair was cropped short, nearly black and curly, and his skin was dark from so much time spent in the sun.

He seemed more surprised to see Yael than the child in her arms. The woman had taken a gamble coming to him, and he wondered if she was as aware as he was of that fact. He could have turned them both in and washed his hands of both mother and child, but then the Church would hound him forever afterwards, and besides, Yael needed help or she never would have sought him out. Uncouth though he was, the man was no monster. Joao thought that the little girl, her head on her mother's shoulder, was asleep, but soon he began to think that she just flat out refused to look at him, she was clutching her mother's bodice so tightly.

"I know that this must come as a surprise," Yael whispered meekly, and the man had to tilt his head in order to pick up what she was saying. It had been years since he had seen Yael, but he remembered her as if their tryst had happened yesterday. Yet he didn't remember the woman standing in front of him, haggard and trying to keep her distance from hysterics.

He couldn't speak at first, his attention shifting back to the child, and when she continued to treat him with the back of her head, he made the worst decision possible; Joao opened his mouth, as he often did, without thinking. "Are you certain that I am her father?"

Yael was speechless, her face turning an alarming shade of red; infuriated. He waited for either an answer or a slap, but the girl, seemingly sensing his doubt and his guilt, slowly turned her head and stared straight through him.

He couldn't have denied her if he had tried.

She had his large eyes (the shape of them, not the color; something inherited by at least four of his daughters) and his nose and his chin. Her eyes were as red and puffy from crying as her mother?s, but not nearly so resigned. He smiled slowly, his expression sodden with sadness, and he nodded his head. "I will keep my promise, Yael. You have my word for what it is worth," he said by way of halfhearted apology. The truth was that he knew- just as he was sure that, deep down, Yael knew- that Mona would never see her mother again.

Hope, though tragic, was necessary to survive in their strange, cruel world. He would not take that from either of them.

======================================

Eugenia was the oldest of his girls to still live at home. At sixteen she was absolutely beautiful, with pale brown skin, her father's large black eyes and a wild halo of russet curls barely kept at bay by the scarf at her crown. When she saw Mona, she rolled her eyes good-naturedly, slapped her hands onto her hips and shook her head. Everyone knew that Joao was no better than a tomcat, if cats dared to drink their breakfast, but no one was more painfully aware of their father's rambling ways than lovely, even tempered Genia.

Genia's sainted mother remained the only woman that Joao had ever taken as his wife, but she had died giving birth to the man's stillborn son, and that left Genia to care for the twins that were dropped on their doorstep just a year later by the long suffering husband of one of her father's conquests.

She smiled sweetly at Mona, but the girl regarded her hesitantly, like a feral cat. "I will not ask, Pai, where this one came from. What is her name?"

Joao looked thoughtfully over his shoulder to where the twins sat staring. "You know something? I did not ask."

Genia's eyes grew stormy and she knelt down in front of Mona, ignoring her father and taking one of the child's small hands into her own. "What are you called?"

Mona looked around the room as if searching for a sign. There wasn't one. "Ramona, but..but..it is Mona" she said in a startlingly final tone. Genia smiled, delighted, and stood back up, Mona's hand slipping from her own.

"Now Pai," she turned to face her father, "her mother...?"

"Yael Oliveyra." He spouted it out so quickly that he was sure Genia hadn't heard him. At least that was what he hoped.

The honeyed flesh of Genia?s face blanched and her voice was almost a whisper. "The silversmith's daughter? Are you mad, Pai? If anyone should discover that she is a Jew.."

Joao held his calloused hands up, cutting her off midsentence. "I won?t hear it, Chuchu. She is my daughter and your sister and her mother was desperate. You want a name? Maria Ramona Teresa. There. Look at me being pious!"

Genia sighed again, her shoulders rising and falling. She drew her hand over her face, stopped midway and peered at her father between splayed fingers. "But Oliveyra, Pai??"

He nodded and crossed his arms, the air about him brooking no argument. "Sim. It is what her grandfather and mother had chosen, Chuchu, and she needs to carry a piece of them with her."

Genia nodded her head in defeat and started for the door. "What she needs is food! I have seen song birds that are larger!"
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Re: Colcha

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O Sussurro -1497


In those hazy days when the faces of Yael and Nechimiah were still so fresh in Mona's mind, her new family grew into something of a stabilizing force. That Silva Man and Genia hadn't completely mended the tears in her heart left behind by the ripping away of her old world, but they managed to at least add a few strong stitches.

Genia regarded her with kindness more often than not, and disciplined her when she acted out. The twins, Jacinta and Francisca, seemed to think she was a doll placed there for their amusement; something to dress up and manhandle. They were, however, quickly dissuaded of this notion after a week of such nonsense, and while the fight had been short and quick, the twins decided to give their strange little sister a wide berth afterwards.

After the fight, Joao found his youngest daughter outside while the eight year old twins cried for justice in their shared room just yards away. He placed a gentle hand upon her shoulder and took a seat next to her on the soft wood of an old cork log. "I warned them to not be so rough."

Mona didn't speak- she rarely did- but she didn't flinch away from his touch as she had a week earlier, either.

Perplexed but by no means a quitter, Joao tried again. "You miss your mother?"

The dark little head next to him fell and rose with a nod.

"She will return for you," he whispered, his dark eyes looking off into the distance while Mona's stayed trained upon the moon above them, her thumb planted in her mouth.

After much thought, she removed the digit and shook her head to the contrary.

It was an answer that surprised Joao and saddened him all at once. "...why do you say that?"

She peered at him with eyes that seemed to have seen centuries and spoke in a soft, sorrowful little voice. "Because the monsters ran them away."

Joao fidgeted where he sat and stared at the girl for a long time, even after her attention had returned to the stars. He swallowed hard and tried to relax, but he was too disturbed, and most importantly too worried about the little girl. "Mona, even if you do not think it so..hope for it. Your mother, she loves you."

And Mona turned her head at that, the look in her eyes so serious that Joao couldn't help but to smile. She removed her thumb from her mouth once again.

"Do you love me, Joao?"

The kid was cute, the kid was sad, but the kid was almost eerie. He wanted to remind her that it wasn't proper for children to refer to their parents by their first names, but he wasn't a proper man, and besides, his daughter wanted an answer.

Of course he loved her; he loved her like he did all of his known progeny, but it was not such an easy thing to voice when they were both still strangers. Eventually he nodded lest he trouble the girl, and gave her a gentle shove to send her teetering harmlessly towards the edge of the log. And there, right there, she smiled. A rare sight.

"I am more fond of you than I am of the pigs. Now, let us go into town."

"But it is dark," came Mona's soft reply. There were monsters out there. Monsters who beat the brave and chase mothers and grandfathers away.

"Sim, sim it is, but that is when this place really lives."

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Esfarrapado 1497-1498


During those nightly expeditions into Evora's seedier pockets, Mona bonded with her father. He found within Mona what he had lost nine years before; a son. Genia's lessons fed Mona's soul, while their father fostered (at least as far as he was concerned) more 'practical' skills. So while Genia refined the child's Portuguese, their father taught her to scrap. For every dish Mona burned under her sister's tutelage, she bought food later that night with coin she had bamboozled from someone else.

By the time her sixth birthday rolled around, Mona was already an accomplished little grifter. To Genia's disdain, Mona returned that night with her hair chopped short, their father smiling proudly and three sheets to the wind behind her. She was more at home in breeches than the pretty frocks her sisters favored, and this delighted Joao just as much as it irritated Genia.

Tacking Maria onto her name had been pointless. Everyone who knew Joao had grown used to his little shadow, and they all knew her as Cachorrinha because she followed at the scoundrel's heels like a little puppy. Wherever her father went, Mona was never far behind.

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Pressentimento 1498


"She thinks I hang the moon and stars, Chuchu!"

Genia, her stitching dangling from her long fingered hands in limbo, stared at her little sister's prone form, mortified. The child was sprawled out and stone cold drunk. It wasn't anger that she leveled upon her father's face, but disappointment, and though Joao should have been so very used to the latter, his head drooped low in shame.

"The moon and stars Pai!? The girl is drunk!" Realizing that she was shouting, and no doubt perking the identical sets of ears that should have been sleeping in the next room, Genia flushed a deep red and lowered her voice. "I love you, Pai, but you are not one to admire."

Joao's guilt bent beneath pride as he gazed at the snoring child. It did not help that he was as drunk as a skunk himself. "If it eases your heart, Chuchu, she drinks like a sailor.."

Genia frowned and quickly reminded her father of his faded guilt. She made the sign of the cross. "If mother were only here to witness this. Taking a child and turning her into a misfit. Do you know what she would say?"

Genia waited for his answer with her hands on her hips, and watched as her father bolted up and swayed from foot to foot, his doggish grin returning full force.

"She would not speak, Chuchu, but I can almost feel the stinging in my cheek from the slap that she would deal me."
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Re: Colcha

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Tempestade- 1499


It was late Fall when the next horror happened. Mona had been brought down by a cold, and begrudgingly stayed home while her father went about his business. She was too sick to argue, and fell quickly into a slumber saturated with weird fever dreams. In them her father was trying to teach her to swim while her mother and grandfather, their faces slightly faded, waited on the opposite shore. But there were sharks in the water, and before Mona could warn them all she woke up.

Joao had not returned home. That was, in and of itself, far from rare; it was likely he had passed out drunk somewhere, or camped over at someone's house. But there was something wrong, and the youngest of Joao's da Silva's get could feel it in their bones. The twins still went about their playing, and Mona's worry was kept at bay by how perfectly Genia hid her own concern. Yet night fell and the sun rose, and still no sign of their father.

Three days later and with her little sisters in tow, Genia tore through Evora armed with inquiries. People had seen Joao, but not for a few days, and his bosom buddies Demetrio and Manoel swore he was shacked up with Nuno Almeida's new young wife, Sabela. A visit to the woman's house, however, only lead to more questions. "I have not seen him since..oh..two days ago?" And the way Sebela Almeida blushed told Eugenia all that she needed to know.

More frustrated than she was at the beginning of her journey, Genia herded the three girls back to the house to wait. They didn't have to wait long. Later that night two strangers arrived at the door, and their exchange with Genia was carried out in hushed tones. Even though Mona and the twins had an ear each pressed to the wall of their bedroom, all that they could hear was their older sister's sobbing.

Desperate to understand what was going on, Mona and Jacinta clambered out of their bedroom window, each girl spotting Francisca's hesitant descent. Then as quiet as a trio of mice, the children crept around the house. The twins rose in unison onto their tiptoes and peered through the window at Genia and the strangers. Tiny Mona, on the other hand, scaled an overturned rain barrel, a position which gifted her a better vantage point than that shared by Jacinta and Francisca.

With wide eyes and a sinking heart, Mona looked to the source of Genia's crying. At the strangers' feet lay her father's soaking wet body. His head was bent unnaturally and a large bruise discolored his throat, but other than that he appeared to be sleeping. A small smile even rested upon his colorless lips, as if he had been chasing a particularly good memory when his murderer snapped his neck and dumped his body in a nearby lake.

Mona stared, perplexed, at what she saw. It baffled her that her father was no longer in his shell. Where did he go? She wondered briefly if this was all a joke; wondered if, at any moment, Joao would spring to his feet and laugh at the mayhem he had caused. Everything dies, sweet girl..

But then Jacinta screamed, and that drove away any doubts Mona may have had. Startled by the sound, Genia and the strangers turned towards the window and the tear streaked, horror stricken faces of the twins; only two faces where there had been three.

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Mona ran as fast as her little legs could carry her. The field rocks bit into the bottoms of her feet, but Mona's head was filled with images of her father's lifeless body mingling with her final memories of Yael and Nechimiah. They were sharp and painful, but if she stopped running then they would cut her to her core.

But somehow, at the end of her escape, Genia was standing there. One day Mona would realize that her sister had followed her, but right then, at barely seven years old, Mona wondered if her sister was an angel. Genia enveloped her in her embrace and pulled her close, her tears pelting Mona's cheek. She stroked her short, dark hair and let loose about her own mother in an unstoppable wave of words; a beautiful Moorish woman, taken too early and no doubt with their father now. Even so young, Mona doubted that. Joao had believed in hell and had joked about running the place. Mona miserably hoped, for his sake, that it was real. She had little time to entertain the idea further, not with Genia promising her that she would never leave her.

Back at home, Eugenia saved her tears for when the younger girls had gone to bed, and the days following their father's death saw a stark change in the young woman. Mona was beginning to really resent change.

Yet she and the twins watched their sister day in and day out carry the weight of their world upon her shapely shoulders. She fell into patterns. Everything she did was done with almost robotic precision, from the way she cooked to the way she consoled them. The twins, scared and disheartened, distanced themselves from her, but Mona continued to try, though her efforts to get her sister to divert from her patterns were always in vain.

Babaca - 1500


So it was that Genia met Paolo. He was the fourth son of some lord or another, and could have been a fish for all that Mona cared. There was a monster beneath his pretty boy smile, no different than the other beasts that plagued Portugal, but only she seemed aware of it. The twins she had expected to fall for his practiced charms, but not Genia. That Genia was so easily swayed by Paolo broke Mona's already shattering heart.

Suddenly invisible again, Mona started to act out, her tantrums candidates for legend, but she didn't evolve into breaking things until Genia announced her engagement to Paolo. It was the night that Genia discovered that she was with child that any doubts of Paolo's evil were washed from Mona's mind. Taking her upon her knee, Genia explained that Paolo wanted only kids of his own seed, that the twins would be sent to live with another sister, Senda, in Madrid while Mona would stay with a seldom seen sister there in Evora, and she would be back for them when she had convinced the lad to love them as much as she did.

But do not judge either sister too harshly. Mona may have been precocious, but she was still only a child, and so she was forced to see the world through a child's eyes. Genia herself was barely sixteen, a woman grown during that time, but still a young girl with a young girl's heart and dreams and faults. It was just a shame that only Mona and Paolo seemed to know that Genia would never see her family again.

-------------------------------------
Bombear - 1500


Gabriela was the exact opposite of Genia. A shrewd, weasel faced woman, she offered no comfort to her little sister; offered nothing but food and water, and just enough to keep her alive even then. Her husband was a stoic man given to daydreaming, and when Gabriela flew into one of her rages, taking both Mona and her own son, Faustino, on a painful tour of her home, the man would simply sit in silence for fear that his wife's ire would find him.

Gabriela was quick to remind Mona not only of her mother's abandonment, but Genia's as well, and when Mona sucked her thumb, Gabriela would slap it out of her mouth. Yet while poor Faustino cried and hid, Mona silently took each blow, each curse and added it to a swiftly growing mountain of hatred; hate not just for Gabriela and her husband, but Genia and Paolo and all beasts with human faces.

It was that very lack of reaction that lent Gabriela's anger momentum. Her taunts were almost gospel; that Mona was abnormal for crying, that she was somehow less than human. But the eight year old, black and blue, would just stare up at her sister, her jaw clenched and her fists pressed into her sides.

Grandmother Ramona would eat you. When I am grown I will fly away from here.

For solace Mona took to sneaking out late at night with her nephew. Faustino was twelve but tall for his age and as lanky as a cane pole. He had a shock of thin brown hair and his eyes were too far apart, but his grin was mischievous and he was tender of heart. Together the children would craft wild adventures in the shadows of the great house. They fought off invisible demons and monsters with hunks of wood yielded with all of a child's understanding of swordplay.

Rarely were they caught, but on those rare occasions they paid dearly. Sore, hurting, disheartened, they were locked away in their rooms, but their souls were smiling.

Snuggling up to the wall by her bed, Mona would drift off into the sleep of the innocent. One day I will slay the monsters. One day..
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Re: Colcha

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Esquiva-1499


One day Mona would come to learn that Gabriela had been a creature to be pitied. Whatever fire had destroyed the good within her had left nothing behind but a rotting, hateful husk. But today would not be that day.

Mona would never learn that at the age of thirty three, her beastly half sister would be dead of a heart attack, still clutching the sleeve of the priest who refused to officially join she and Fylinto Abrunheiro as husband and wife in the eyes of God. But what Mona did know, not the vampire but the broken little girl with the bruises and busted lip, was that her own hatred was surely and justly growing. Like dark fruit it took seed within her, growing larger everyday. She did not like that feeling, or how good it felt to acknowledge it. It scared the child more than Gabriela ever could, but she was reluctant to say a word to anyone about how she felt. Fylinto was neither her enemy nor her friend, and Faustino was just a scared little boy.

So she kept it bottled inside until it filled her days with horrible thoughts and her nights with nightmares. Then the bottle broke.

Gabriela had returned from market with a basket of verdant greens to find her little sister and her son wrestling in the parlor. No one would ever know the reason, not even Gabriela herself, but the woman immediately flew into one of her wild, worrisome rages. The basket was sent sailing across the room, where it pelted poor Faustino in the face, and for a moment the entire room went quiet. Then Faustino began to cry. It wasn't her son that she was after, but Mona. For Gabriela Silva, Mona was the cause of all of her problems. It made no sense, but it didn't have to, not when blind anger came into the equation. She jerked the little girl up by the collar of her thin brown shift and shook her until her jaw rattled. "You awful little bitch!" Gabriela shouted. "You mongrel! I give you a roof over your head and food to feed you and this is how I am repaid? You and that worthless boy rolling about like pigs in my home!? After I've told you not to!?" She punctuated each word with a shake, and soon all that Mona could see was stars. "If you want to act like a pig then you can live with them!"

While Faustino pleaded, sobbing, with his mother to stop, Gabriela's enmity only gained momentum. She carried the little girl towards the door, fully intent on making good of her threat. Mona was scared; those pigs weren't pigs so much as hogs, and they would eat anything. Just as Gabriela reached the door, however, it flew open. Fylinto had heard the commotion a few houses over and had come running, his face red and his breathing labored. He took one look at the tableau before him, at his raging wife, the tattered little girl and his sobbing son, and without thinking he reached out and wrenched Mona from Gabriela's grasp.

He held her so tightly that she could scarcely breath, the same way her mother had once held her, but she was too stunned and too breathless to contemplate escape. Gabriela opened her mouth to scream at her husband, but Fylinto beat her to it. "Gabriela, that is enough! She is a little girl and you are a woman grown! Look at what you are doing! To me, to her, to your son!"

She reached for Mona, but Fylinto quickly spun around and placed her in the doorway, where she swayed and gripped the wall. He turned to face his wife again, and when it appeared that she would barrel into him, he pushed her away. "If you do not stop, I will make you stop!"

That did not calm Gabriela, but it caused her to stumble back, and when her rear hit the floor and the breath was knocked out of her, she came to her senses just enough to regard her common-law husband with a shocked expression. He ignored her then and turned to comfort the children.

But Mona was gone and so was Faustino.
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Re: Colcha

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Perdida- 1500


Evora's labyrinthine streets, while possessed of a certain beauty, were a nightmare for the uninitiated to navigate. While Mona was wild and Faustino was crafty, neither could yet be considered street urchins, and the further they went, the more lost they became. Hand in hand, they turned street corner after street corner after street corner. Though Mona kept Evora's royal palace in her line of sight, it wasn't long before everything began to bleed together. The lovely stone homes were no longer separate entities, but one long ouroboros that would one day release its tail from its mouth and devour them both.

When night descended upon them, Faustino broke down and began to cry; great sucking sobs that made Mona think, grimly, of the keening of her father's sick horse. Still she squeezed his hand and offered him a bleak smile. They were both tired and scared and hungry, and the nighttime streets of their city were no place for children to roam about alone. Trudging further, they passed a woman standing in the doorway of her little white villa, and neither child paid her much mind until she whistled at them. Mona was content to keep her head down and keep moving, but Faustino seemed relieved that an adult- any adult- had taken an interest in them. As he made a beeline for the woman, he drug Mona with him, and she was too tired to do anything but follow.

The woman was tall and hawkish; neither a great beauty or unattractive. Her smile was lopsided, her lips too red and too thin, but there was pity in her startling gray eyes. "Are you lost?" She wasn't from Evora if her accent was any indicator. Faustino had no way of knowing that, not with how sheltered he was, but Mona had met a Florentine man before while roaming the city with her father. He had been nice but there was something wrong about the lady before them and it hadn't a thing to do with nationality. So Mona remained silent, but Faustino nodded and wiped the snot dribbling from his nose on the back of his sleeve. "I want my mother," he simpered, and that garnered a kick to the shin from Mona that plucked a high pitched cry from his throat.

The woman simply smiled. "Are you hungry? I can promise a bed and some food, if only for a night."

Faustino's smile grew, but even though Mona's face remained stoic, her stomach growled. What harm would a meal do? "We have to go," the little girl lied. "Our sister is waiting and she will be worried."

Lucretia crouched down in front of them, her long hands dangling between her knees. She didn't even pretend to be warm or concerned now, and her smile was sinister. Mona peered sidelong at her nephew to see if he sensed it too.

But Faustino was smiling, as trusting as a lamb being lead to slaughter.
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Re: Colcha

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Cativa- 1500


True to her word, Lucretia fed them and put them both to bed in her little guestroom, but the morning held no trace of Mona's nephew. She searched through the fog clearing from her mind- a parting gift from the drug Lucretia Enrathi had used to lace their dinner. She bumped into things, knocked over vases and bowls. Her stomach hurt and her head was throbbing. The chaos brought Lucretia through the door, and she discovered Mona staring vacantly at her surroundings with her face scrunched up as if she were trying to grasp too many things at once.

"What ails you, girl?" Her voice was pregnant with concern, but Lucretia's expression was both amused and bored. Mona turned slowly, her foot barely missing a shard of broken pottery, and she saw not one but two Lucretias fading in and out of one another.

"Where is Faustino?" The words came slow. They stuck to the sand dry roof of her mouth.

Lucretia's smile widened until it threatened to overwhelm her face. "Why, he left early this morning. He said that he was going to return home."

It sounded perfectly reasonable, but bile tickled the top of Mona's throat. The wrongness of the night before came rushing back to her, and she fought to keep her stomach at bay. It was a battle she barely won.

A vision. A nightmare born of heavy sleep. A boy and girl, drugged. The boy stolen in the night by a monster with a man's face and a shark's teeth. The boy sleeps as he is carried through the door. There is a sound like teeth tearing into an apple.

Lucretia saw, in that instant, that Mona somehow knew, and her smile faded into a toothy snarl. "What is wrong?"

"Faustino did not go home," the child sadly whispered, her hand cradling one side of her head.

So what? another voice chided, and it was not her voice. Not at all. It belonged to Lucretia, but the woman's mouth wasn't even moving. He was too old. My children, you have to pluck them at a certain age. Where will you go if you leave here? If I let you leave? Who would want you, Ramona da Oliveyra? You are far too wild and too broken.

Hurt breached the dull sheen in Mona's eyes, and Lucretia smirked, her head tipped back. She had dealt with willful children before- Mona was neither the first nor would she be the last- and the fun came in breaking them, she knew.

People do not want broken children. Your mother must have sensed it, no? Your grandfather? Your sisters?

Mona hung her head down, and it didn't matter if what Lucretia was telling her was lies. Right then and there everything that came from the horrid woman's mouth was convincing, and though Mona's mind fought to push the words away, it eventually lost the battle, leaving the child to sniffle and wipe her tears away on the sleeve of her dress. Lucretia was grinning- little pig, little pig, let me in- and she gazed idly at her long, sharp fingernails. There is a use for you though, for your viciousness and your pain. Do you understand?

Mona shook her head, and her tears pelted her dirty feet. Lucretia's voice resumed, but this time her mouth moved along with the words.

"You will, little one. You will."
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Re: Colcha

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Tagarelice-1500-1511


Lucretia locked the girl away in the guestroom for a week with little more than the straw stuffed bed that she had shared with her late nephew and a chamberpot. Miserable, her heart heavy with sorrow, Mona more often than not lay curled in a little ball on top of the bed. The child tried to sleep as much as possible, but Lucretia would not allow it. Every hour on the hour, she would come into the room to make sure that the little darling hadn't died, and if she found her sleeping then she shook her awake before abruptly leaving, often taking the chamberpot with her to empty. Meals of drugged peasegruel were often ignored, until hunger gnawed like an animal at Mona's belly and she had no other choice but to eat.

On the eighth day, Lucretia lingered. She sat at the head of the bed and stroked Mona's greasy, matted hair. "Sit with me, girl."

When Mona did not budge, she slipped her hands beneath her arms and pulled her up. Mona, for lack of care or strength or energy, simply fell into a lean against the Enrathi woman. Mona tried hard to think of what Grandmother Ramona or her father would have done and she couldn't.

"I want to go home," the little girl muttered, and not for the first time. It was habit by then. Mona wasn't even sure where home was.

"You are home, girl. As close to a home as you are like to get. Do you know what will become of you? What I have chosen you for?"

Mona shook her head and closed her eyes. If she could sleep, even for a little bit, than perhaps she would miss most of what Lucretia wanted to tell her. The revenant was having none of it. She placed a finger beneath Mona's chin and pushed her head up, her eyes finding the little girl's. Her grimace showed too many broken teeth.

"Smile. Today you become something other than another dead orphan. Poor little dear, come now, don't look so tired. You are going to go on a journey with a dear friend of mine. You will be educated and trained, and soon you will forget all about the things you have left behind."

The little girl sighed miserably and began to cry, something she had done more in the past week than she had in a year. Lucretia quickly stood up and retreated to the door as if a force field had repelled her. The crying child was eyed briefly with disgust. "Tears. You are still a child and will receive a pass, but when you return I should hope you will keep this in mind; I do not usually abide tears."

-------------------------------------------------- ---------------------------
The very next night marked the beginning of Mona's journey.

Hand in hand with a bone white, lean man that made Lucretia seem loving, she found herself being lead through the muted hellscape of one of the Underworld's less decayed layers. Colorless, it stretched out before them, the Evora of delirious nightmares. Buildings jutted from the ashy ground twisted and warped and angry, and depression hung in the air as thick as fog. Mona tried to cry, but it was dust that streaked her cheeks. The man at her side, who she was beginning to believe was- somehow- the shadow beast that had eaten Faustino, acknowledged nothing of the child's pain or the dreary landscape.

They were there to find the leader of the True Black Hand, a woman known as the Del'Roh. Lucretia had told her very little of the True Black Hand, which came as a small mercy given that the revenant had told her a bit about Chatterlings. Children with no hope of a future stolen away, mostly by members of Lucretia's 'family', and taken to a city called Enoch for training. There, Mona would be given over to her taskmasters. When she was returned to The World Above, she would serve the True Black Hand as a gatherer of information.

It had seemed so simple, and as they trudged through the underworld, the damned city of Enoch looming in the distance, Mona shut her eyes tightly. I am not unloved. I have a mother and a grandfather somewhere, and Genia. They will all come back for me.

"They will not."

Mona looked up, too forlorn to be startled by the sudden shift of her surroundings. Gray walls, gray floors, and in the middle the Del'Roh sat upon her throne; a striking, cruel eyed woman who regarded both Mona and her escort with cultured disdain. Mona's guide bowed once and left without a word spared for his mistress. When the horrible man was gone, the mysterious Del'Roh offered Mona a close-lipped smile, one of practiced pity and wicked beauty. One no doubt given to countless children before her. "You are afraid."

She spoke in a language Mona did not know, a language that rolled slowly from the tongue and coddled consonants. The little girl was relieved just to hear another's voice, and she dared not question just how she understood.

Swallowing hard, she nodded. The Del'Roh lifted her haughty head high and studied the child before her. "Good. It is good to fear. I assume Lucretia has already told you some things?"

Another nod.

"Well let me assure you that your training is only just beginning."

-------------------------------------------------- --------------------------------------

The creature returned to Lucretia Enrathi was not the same child that had left. There was a hardness to Mona's eyes, an ease to which words shifted to growls. She could recite poetry in seven languages, or gut a man using only a shard of glass. She had learned to hide in places too small for even her without breaking her bones, had learned to dig deep holes even as the flesh of her hands hung free in bloodied ribbons. All of those things were simple samplings of what the Erinyes had taught her, and even so long a list as it was, it was a tiny thing compared to what they had taken away.

She was a scrawny thing, smaller than the other children her age, but Mona had always been quiet, had always been quick and now she was as vicious as a wild cat. In Lucretia's hellish brood of seventeen, Mona soon excelled. Most vampires- Kindred and Cainites alike- paid no mind to the street urchins standing on the street corner or sleeping beneath rags in an alleyway. They slung their secrets around like boomerangs, unaware that they were being caught by dirty, desperate hands. It made for a dangerous game, one that chorused the end of many a Chatterling unfortunate enough to be caught..if they weren't struck down by disease, brigands, or their fellow Chatterlings.

Children vanished from Lucretia's charge quite often, and new recruits- like Mona before them- were given numbers to identify them. She had witnessed the deaths of more than a few, and sent a few to the Reaper herself, but there were always more initiates. In the beginning the younger ones often cried, but Mona- if not Lucretia herself- was quick to silence them.

After all, Lucretia did not abide crying.
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Re: Colcha

Post by Mona Oliveira »

Mahdokht- 1511


Time dropped away at a snail's pace, and somehow Mona managed to make it to her nineteenth year. Four more and she would be Embraced by a member of the True Black Hand. Let the repulsive circle be unbroken.

There would be no celebration for her, no brightly colored pastries or lovingly chosen gifts. Women her age were often already married and had at least one child clinging to their hip, but those things were reserved for human beings. Though Mona's heart beat and her stomach growled and thirst quite often clawed at her throat, the world- both natural and supernatural- had been very quick to let her know that she did not belong with mankind. She was no longer the daughter of Yael, or Joao, or the granddaughter of Nechimiah bin Micah of the Tribe of Benjamin and his late wife, Ramona. She was what she was and very soon she would be a vampire.

If someone had sat down with the girl, gained her trust and dove deep into her mind, they would have been startled to discover that she was glad of this. If asked why, Mona would simply direct her imaginary interviewer to the faded but still pungent aroma of burning flesh and hair; a persistent reminder of the horror of the auto de fe; Lucreatia took every brutal spectacle as a learning experience for her hellish brood, and never turned down the opportunity to take the children to see. Thus Mona would mimic the sounds of cheering crowds and tortured screams.

She would say that that was what humans did.

So it was that barely eight hours into her nineteenth birthday, Lucretia found Mona sitting in a tub of grimy water, staring off into the distance. One might have mistaken her for a simpleton- many an unfortunate Chatterling certainly had- but Lucretia knew what she was doing; she was thinking, always thinking, and it took but a gentle clattering of her nails against the door frame to pull Mona back to reality. The girl turned her head and quickly shot Lucretia a dismissive stare before spying the lean face watching her from the Enrathi woman's side. A child no older than ten, worryingly pale with curly hair as black as a raven's wing, and sharp eyes stuck in the middle of black and brown. When the little girl smiled at her, Mona felt her skin crawl.

There was something horrible about that child; more off-putting than rotten Lucretia Enrathi, and Mona pulled her lips into a silent, tooth filled snarl. With her head held high, Lucretia placed a hand between the brat's shoulder blades and pushed her further into the room. She did not stumble, but gracefully moved until her knees bumped into the edge of the tub, prompting Mona to draw her own to her chest.

"You have been alone for far too long," lamented Lucretia to the birthday girl. "I do not believe in only children, and neither do our masters. You will keep this girl by your side until she is sent for training. Is that understood?"

Mona nodded slowly. Teach the new kid, prepare them for their trip to Enoch. If they died, well, people were always breeding. When Lucretia departed, she left the horrible little welp alone with Mona. The older girl inclined her head to one side, uncomfortable with the weight of the child's poorly veiled interest in her.

"Do you need help?" Though not hospitable and bordering on warning, Mona's question widened the little girl's smile. Her arms grew riddled with gooseflesh and a knot began forming in the pit of Mona's stomach; she needed to get rid of the small horror as quickly as possible.

Scratch her out before she could return the favor.

Mona, who had went by Treze (13) since she was the little girl's age, learned that the youngster was called Mahdohkt, that she was Persian and that she was surprisingly good at the things expected of a Chatterling even without training. A bit too good. She kept by Mona's side like a nightmarish little shadow. She seemed to take glee from the pain of others and bombarded Mona with question after question after question. Mona's silence never seemed to deter her, but their job was to take secrets from the undead, not pass them around to one another like gossiping schoolchildren.

"Do you hate me? Truly?" Mahdokht asked the night before she was to begin her training.

Mona, bruised and bleeding from a narrow escape with a group of Brujah neonates grumbled her answer. "I hate many things."

Mahdokht smiled- for she was always smiling- and inched in closer to her mentor. "Do you think we resemble one another?"

Mona crept closer to the edge of the narrow straw bed in an attempt to put some distance between the terrorkin and herself. "We both have skin. That is the extent of it."

Silence then, sweet and blessed, but sorely short lived. Mahdokht's body blocked out the moonlight streaming into the tiny room as she leaned over Mona. Mona could feel the chill of her flesh, could smell the strange tin scent of her breath, and as unnerving as those things might have been, nothing had prepared her for what rolled off of Mahdokht's tongue. "May I call you mother?"

Mona bolted upright, clamped her teeth together and pushed the little girl away from her. "You may call me Treze if you wish to keep your teeth!"

Mahdokht, still smiling, crawled like a spider back to her side and tempted fate by laying her head just inches from Mona's. The questions continued to grow stranger and stranger and stranger, but when Lucretia poked her head into the cell, Mona did not complain and Mahdokht stayed silent.
To do either would mean no food for two days, though Mona was almost certain that Mahdokht wouldn't suffer from such a punishment.

As she fell into a restless sleep, Mona began to conjure up ways to get rid of the weird little girl, each possibility more creative and grislier than the last. Mahdokht was gone by morning, but so was Lucretia, and the absence of both meant that Mona could enjoy the quiet solitude of her room. She did not think to flee; this life, though dismal, had been her only slice of structure in a very long time.

She left her room only to scavenge for some food, and that night her sleep came sweeter. She dreamed of blue skies and what she believed the ocean looked like, for she had never been. A horse the color of Kindred skin watched her from where it stood in the sand. Someone touched her cheek, and when she pressed into it, she was startled to discover how cold the flesh was.

Mona awoke with a start to find Mahdokht standing over her in the darkness, her hand on her cheek and her stupid, evil smile unwavering. That smile alone was enough to inform her that Lucretia wouldn't be returning home. Lucretia wouldn't be returning anywhere.

"I think we would make a good family. You and I and Father. I think you will come with me."

Her body protested, but her mind coaxed it forward, and as Mahdokht's cold hand slipped into her own, Mona found herself inwardly screaming.
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Re: Colcha

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Enjaulada-1511


Mona could remember very little of her sojourn with Mahdokht, just that she had never been so sleepy. Everything seemed like a dream. Snapshots of blurred insanity so vivid that her mind had trouble separating them from reality. Mahdokht was there- Kindred. She now knew that without a shadow of a doubt- and Lucretia was there. Or at least what mangled bits of meat and bone remained of her. Her mother too, and her grandfather and papa. There was Genia holding a plump child to her breast and smiling her lovely smile. Someone was holding her; someone with gentle hands and a kind baritone voice.

When she awoke for more than a handful of minutes, Mona discovered that she was in a bed, a proper bed, and it had been so long that her muscles, used to straw mats and rougher floors, ached like hell. Her mouth was dry and her tongue stuck to the roof of it like a dead slug. All that she could do was stare up at the ceiling.

Briefly she wondered if she was in heaven; if she had died and rejoined with God. She had accepted her own death long ago, after all.

It was a thought that faded when she heard a man clear his throat. Mona craned her stiff neck to get a better look. Bathed in the sunlight of a small window, an olive skinned fellow sat in a chair. His hair was dark and curly and, like his meticulously groomed beard, peppered with gray. As if he felt her staring at him, he slowly turned his head. His eyes were hazel, the look in them both soft-hearted and sorrowful. Mona shuddered and shook free the last remnants of sleep. Blossoming fear blended with curiosity within Mona, and she kicked her blanket away and used her feet to push herself back against the wall.

Only one light brown eye was visible from behind the curtain of her dark hair when she looked back at him, and it was wide and wild. The man's relieved sigh was mistaken for something else entirely, and as she looked to the door with its chains and heavy locks, Mona let loose a high and angry growl that displayed all of her teeth. The man did not seem bothered by the authenticity of her warning, and he began to speak to her in a language she didn't understand, in a patient and concerned tone; the sort one would use when coaxing a wounded creature out of hiding. When Mona did not respond, he smiled thoughtfully and nodded his head.

Next he tried Spanish, which Mona understood. "I was beginning to believe that you would sleep forever."

Mona stopped growling, but she didn't not drop her defenses. "How long have I been sleeping?"

The man turned his attention to what lay beyond the window again. There was a longing in his gaze that Mona recognized but could not place. Behind her, her fingernails worked at the soft stone of the wall, unnoticed by the fellow. "Three suns and three moons," he explained. "It was all that I could do to wake you to eat. I bathed you, but I did not touch you beyond that. I feel that this is important to say."

Mona's eyes darted quickly to her feet. The filth and grime that had covered them was gone, and she wondered briefly if the clean flesh she saw actually belonged to her. She swallowed a lump in her throat. The hands in the dream had belonged to the stranger, she was sure of that now. As her mind played catch up, she relaxed her mouth and lifted her gaze back to the side of his face. She almost introduced herself as Treze. Almost. "Mona. You are..?"

The man sucked in a deep breath as if remembering his name for the first time in years. "Bakar Barinaga of Pamplona. It is a pleasure, Mona."

(Burke used with the permission of his wonderful player)
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Re: Colcha

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Quixotesca- 1511


Perhaps God had a sense of humor. Maybe it had started out lighthearted and full of whimsy, but when it became time to craft Mahdokht from the common clay, His since of humor had already begun to mimic that of the doctors that He had created; inappropriate with the need to cope and far too dark. Though Mahdokht was old (how old neither Bakar nor Mona nor the other ghouls really knew), she still fancied herself a lost little lamb drowning in a sea of wolves..."And little lambs," scoffed Bakar as he slid his untouched bowl of gruel Mona's way, "have an apparent need for a mother and father."

The laughter that followed was dry, gruff and void of anything resembling real amusement. Mona looked up at him, her fingers curled in a death grip on the edge of the bowl and her lips parted in horror. A mother. Never mind that the wretched little beast that was forcing them to play house was a monster. The very idea of being a mother to anyone seemed so otherwordly that Mona nearly lost her appetite.

But Bakar, charmed by his housemate of three whole weeks, fought back the grin forming suddenly in the face of her antipathy; a battle which he quickly lost. A defeat which he immediately regretted. Mona's mouth shifted into an incurious frown and Bakar's lips fell into a straight line bordered by beard. "It is funny, is it not?"

Mona shook her head and lowered the bowl to the table, her dark brows furrowed. "No." Then she sniffled. Being trapped with Bakar in a house that she couldn't leave, a castle ruled by a hellion, had somehow become worse for her than her previous existence as a Chatterling. She wiped the sleeve of her dress across her eyes, her shoulders shaking ever so slightly with a sigh.

Bakar reached over and placed his hand upon the wrist that bore a peculiar scar; long and jagged and silver against her flesh. "I joke because it is wretched being here, Mona. If I did not joke then I would not be able to continue on. Before you arrived, I felt as if I was going mad, talking to the walls and insects like a lunatic. For as much as I wish you were anywhere but here, I am glad to have such lovely company."

Mona studied the hand resting upon her wrist like a child admiring the coat of a beloved pet. She traced his thumb with the tip of her finger; marveled at how his skin felt. When she peered back at him, she found Bakar watching her, and she drew her hand back as if the mere touch of him had branded her flesh. She didn't trust him, not entirely, but Rome was not built in a day. "I think I am too young to have a daughter of ten."

Bakar smiled again; relieved. "I believe you and I will be just fine."

Mona laughed, the sound striking her ears foreign and strange. Tears filled her eyes and streamed down her cheeks.

"That," she cried in between greedy gulps of air, hunched over and clutching her cramping side. "That is a funny joke!"
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Re: Colcha

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Coçar- 1511


Everything that Bakar had told Mona about Mahdokht, the things that she did not already know, turned out to be true. Four nights out of the week the little blood rag dressed them up like dolls in outfits better suited for centuries long dead, and she paraded them around the streets of Cordoba (how the child had moved her to Spain, Mona never knew). Bakar played the role of doting father while Mona was the picture perfect - though surly- step-mother.

The nights were filled with humans still milling about. The ones who noticed them regarded them with curious looks to downright indifference. Very few stared. There were a handful of vampires amidst the nocturnal roamers, Mona's sense for such things a rare blessing from her time as a Chatterling, but there may have been more; those hidden away by virtue of their gifts. When they did acknowledge the loathsome Mahdokht and her long suffering 'parents', they did so with distrust and disgust and poorly masked fear.

Once Mahdokht was finished playing with them, she sent them back to their room with its barred window and heavy doors flanked on the outside by a seemingly endless rotation of seldom glimpsed ghouls. Neither of her prisoners knew where she rested during the day, though Bakar had some thoughts about it. But Mona's thoughts, though they were prone to straying, stayed stuck on freedom.
Bakar didn't know about the hole in the wall.

For six weeks Mona had kept her escape plan a secret. For six weeks, whenever Bakar would nod off in his chair, little by little Mona would work at the divot she had made in the stone. When she lost the nails of her index and middle fingers, she simply made use of the gloves that Mahdokht had left with her costume and used the other hand until the wounded one had healed. But when Bakar began asking questions that Mona didn't want to answer, she hid away an ornate comb- another part of her costume- to save her hands anymore damage. She pried the rubies free, tossed them through the window's bars and twisted the metal until she had a tool more suitable for the task than her hands. Mona worked until her muscles ached and her digits locked. As the hole in the wall grew larger, it became all that Mona could do to hide it with her blanket before passing out from exhaustion.

Through Mahdokht's tri-weekly farces through town, the twice daily checks by dead eyed ghouls and the rare visit from Mahdokht herself, Mona somehow kept her precious secret below the scope of supernatural perception.

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Eventually her work paid off. The hole, hidden on the outside by a thick slathering of ivy, grew large enough for her to squeeze her shoulders through. Excited beyond belief, she rushed over to where Bakar sat napping and roused him up by shaking his shoulders. With one foot braced upon the window sill and his chair resting on two legs, the Basque fixed his companion with a sleepy gaze, opened his mouth and yawned. "What is it, Mona? Is there something wrong?"

She shook her head from side to side, whipping her dark hair around with the movement. "Bakar, it is nothing." Then suddenly she was grinning and tears welled up in her eyes. "Bakar, you should see."

The sudden presence of her hand in his seemed to startle him, and with an expression of unmasked curiosity, he let the half feral girl lead him to the bed. Dropping his hand, Mona scrambled across the bed linens and pulled her blanket from the hole. Moonlight shined through and reflected off of Bakar's horror wide eyes.

"We can escape!? Mona couldn't strike the happiness from her voice. "We can escape! You can return home, Bakar!"

The air changed, turning cloyingly thick. Bakar wrenched the blanket from her grasp and began plugging the hole in the wall, all while Mona watched with with a stupid, confused expression. He moved like a madman, like someone possessed, and when she went to touch his shoulder, Bakar swung his head around and glared at her. "We will do no such thing!"

The words fell from his mouth so quickly, so harshly, that Mona could barely make out what he was saying. At first she believed he was angry, but one look in his eyes proved her wrong. Bakar Barinaga was absolutely terrified. Mona's eyes snapped shut and she silently wished upon every star blazing in the cosmos that she had somehow misheard him; that at any moment he would laugh and let her in on some bizarre joke he was playing. But he didn't, and all that Mona heard were his footsteps moving away from her. When she opened her eyes, Bakar was once again sitting in his chair with his head bowed and fingers laced across his stomach. He wasn't asleep; Mona could tell that much by his breathing. She wanted to say something, anything, but the words withered and died upon her tongue. The silence was painful, a familiar blade to the gut, and she turned her head while her fingers worried at a bug bite on her ankle.

Mona could hear one of the ghouls outside of the door humming some foreign tune, but that was all. Eventually, and unfortunately, Bakar broke the silence, his voice tinny and trembling. "Do you not know where you are, Mona? Do you not know how many before you have tried to escape? Do you think this is some children's tale where the hero wins??"

Though he didn't see it, Mona shook her head. She knew too well the true endings to those stories.

The hero rarely triumphed, and very often the monster he was sworn to fight was what he became.
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Mona Oliveira
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Re: Colcha

Post by Mona Oliveira »

Apóstata-1512


It took a long while for Mona to muster up the gumption to announce her own escape. Faced with the news, Bakar could only watch as Mona squeezed through the hole in the wall. It was late, and the last thing he saw before the darkness devoured her was the arch of one pale foot. Half an hour passed before he could bring himself to plug her escape route with a blanket, and when the rustle of fabric freed Mona's scents, he found himself filled with longing and dread. She was out there somewhere, and somehow that hurt him more than if she had actually died.

It was that thought that stabbed Bakar Barinaga with the poisoned blade of guilt. She had wanted him to go with her and he had snapped at her as if the very idea of escape was wrong, and that she was wrong for even entertaining the notion. That day had plagued his thoughts and soaked his dreams, but the hold that Mahdokht's blood had on him was a strong one, and worse than any prison with four solid walls. So as time throbbed by like an aching tooth, the Basque man stood vigil in his chair by the window; just biding his time until the grunt ghouls made their rounds and noticed that their little mistress was one person short of a happy family.

Bakar wasn't sure what would happen when Mahdokht found out. She had not taken the deaths of the two women -including his own wife- before Mona lightly. Her tantrums had been miniature hurricanes made flesh, born not from a genuine love for the departed, but the loss of a favored toy. He pondered that, poor Bakar, and scratched the side of his face, his eyes narrowed on the moon hanging just out of reach of his window. He hoped that Mona was okay.

Another hour followed on the heels of another, and as rain pelted the little manse, Bakar slept a mercifully dreamless sleep. Far off the sound of faint footsteps, the maddening drip drip drip of water, and the dull scrape of something being dragged across the floor worried him back to the waking world. Drowsy and forlorn, he wondered silently how much time had passed.

Then the figure stepped forward, and in the pitiful light of a dying candle he could barely make out the outline of his visitor. Before he could call out, Bakar heard another steady drip, followed by the sound of something smacking the floor. Gathering up his courage in a nice and neat little ball, he reached beneath the chair for the crude knife he kept hidden there, and as his fingers traced the dented blade, he bellowed out to the creature.

"Show yourself!"

The being slowly straightened up and began to move his way, dragging something large and rain sodden in its wake. When it reached the moonlight, Bakar released a small, startled sound that did not fit the middling thrum of his true voice. There were so many things stewing inside of the man; surprise and relief and something as close to love as he had felt in a very long time. Soaked to the bone and shivering, her dress so wet it was nearly transparent, Mona smiled at him. Words failed Bakar Barinaga, but nothing needed to be said. Before he could think to stop himself, he was on his feet and embracing the girl, clinging to her. If I let go then I am lost. She stiffened in his arms, her large, wild eyes glued to some point far beyond his shoulder for just a split second until her feral wiles fell to comfort and a sheepish, sleepish expression.

Mona pressed her face against his shoulder and breathed him in, relishing in the scents of sweat and old leather. Everything was amplified, from the way his large hands traveled the gentle slope of her waist to the feel of his breath upon her neck, teasing up the tiny, baby fine hairs there and turning her legs to jelly.

"Safe here," she muttered with a sigh, but if Bakar heard her then he did not make it known.

In the frenzy of their reunion they had forgotten the old cloth sack that lay at Mona's feet. Bakar stepped back to give his erstwhile cellmate some breathing room, his fingers gently roaming her sides as if he couldn't fathom completely breaking contact with her.

"You've returned." His voice was awestricken, triumphant; a man presented with water after wandering years through the desert. His smile was so wide that Mona could nearly make out each and every one of his teeth. "Why would you do such a thing, you silly girl??"

Mona chewed on his words, her pale cheeks splotched with rosy color. She narrowed her eyes, furrowed her brows and stared off into the distance, leading Bakar to believe that perhaps he had spoken ungraciously. Then she spoke. "You did not leave with me, so I left for the both of us."

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Educação- 1512


Mona could always judge how comfortable Bakar was by how deeply he slept. His breathing was soft and steady; satiated. Beyond the bleak walls the rain continued to beat down, and the only light to grace the room came in the form of thunder chorused lightening. Tangled up in their blankets and one another, Mona reveled in the closeness of their bodies and the rhythm of his heart beating in her ear.

She didn't dare move, not with his warm palm resting so deliciously against the slight swell of her hip, so she explored the gentle fiddle's bow of his collarbones and the curious lump of his Adam's apple. Every inch of Bakar Barinaga was committed to memory, because if Mona knew anything it was how fleeting things could be. She assaulted his bearded face with delicate little kisses so painfully human in their awkwardness, and she nuzzled her face against his cheek and growled out a sound so painfully other.

The passionate whirlwind that had overcome them in the wake of her return had been a contradiction; a surprise and a known inevitability. Bakar was not her first, nor would he be her last, but he had been gentle and patient, and Mona could not put into words how she felt lying there, bathed in the afterglow of their fierce union. Love was a lesson that Mona had to relearn, one that she would forget once more in the years to come, when she discovered that while the darkness cannot be tamed, it can be made to listen. Love was a lesson that, centuries from that moment, she would struggle to remember.

But right then and there while even the guard ghouls nodded off at their posts and Mahdokht did whatever it was that the Devil bid her to do on such a rainy day, Mona felt without a shred of doubt that she was where she needed to be.

"You are going to get us killed," rumbled Bakar's voice from beneath her, causing her to peer down into his sleepy hazel eyes. His large hand abandoned her hip, left the flesh their chilled for the lack of his warmth, and his fingers found a few still damp locks of her long dark hair.

Though Mona regarded her lover with a smile, confusion filled her gaze and one brow ticked up. Touching a fingertip to Bakar's chin, just below the sudden appearance of a toothy smile, she glanced over at the old cloth sack still resting where she had abandoned it. In a flash her hands were s at the sides of his head, fingers splayed on the bed beneath them. She stated in a matter-of-fact tone, "I do not believe that I will be killed for taking bread. The world is in tatters, but I do not think even they will judge me so harshly for that."

And as Bakar?s laughter filled the room and filled her head, it occurred to Mona that maybe they weren't talking about the same thing.
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