The Shanachie Theater Layout

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Anthony De Luca
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The Shanachie Theater Layout

Post by Anthony De Luca »

Starting January 2022:
Theater Closed Until Further Notice



((OOC NOTE: As you all know, the theater has been closed until further notice; however, it will still be used for occasional performances for students of the dance studio, performing arts school, and STARS program. In addition, the auditorium will be available to rent for meetings, presentations, etc., for a nominal fee. All we ask is that you respect the setting. That is, don’t trash the building or burn it down! The building will continue to be maintained, so a small staff will remain on the payroll for that purpose. If anyone has any questions, feel free to ask; and if anything changes, I will let you all know!))


Proprietors: Mataya De Luca, Anthony De Luca
Type of Business: Theater
Location: South Road, at the south-eastern edge of the WestEnd
Hours: Box office is open between 09:00 and 17:00, Monday to Saturday. Cafe open between 10:00 and 17:00, seven days a week.

Show Times

The Shanachie Theater opens its doors at 6:30 pm, and raises the curtain at 7:30 pm, Monday to Saturday. Matinees take place at 1:30 pm, Wednesday and Saturday, doors opening at 12:30 pm. There is no evening show on Wednesdays, and no show at all on Sundays.

Description

An elegant former mansion house, reminiscent of the early Victorian era on Earth, the Shanachie Theater sits in the midst of a wide, cultivated park. Sweeping curves of grass and gravel paths wind from the street and the carriage/car park toward the majestic sight of the theater itself, up-lit by golden-shell gas lamps as the sun goes down.

Passing up the stone steps and through elegant glass double doors, you find yourself in the foyer of the theater, a wide space that can easily accommodate a milling throng waiting to take their seats for the evening's premiere. The carpets are rich, deep crimson, as are the velveted wallpapers that cover the walls, offset with the dark sleekness of gold-painted mahogany along rails and cornices. To the right and left stand the ticket offices, built out from the walls in that same mahogany, windows shuttered for the evening. It is from the foyer that you may step through to the lower bar and stalls, or take the wide curving stairs to the balconies and upper bar.

Through another door of elegantly carved wood and etched glass, you find yourself in the lower bar of the Theater, a space smaller than the foyer, but large enough still to accommodate a sizable crowd. A small number of chairs and tables are set along the wall to your right and left, the majority of the space left uncluttered to allow for thoroughfare from bar to auditorium. The bar itself is again of rich, dark mahogany, running a full fifteen feet, well-stocked to provide for even the most acquired of tastes. It is here that orders may be placed before a show for interval drinks, and here, also, that a passerby on a warm day may stop for refreshment, as this lower bar acts as a cafe during the daytime.

The auditorium itself is decorated in the grand baroque style, continuing the theme of crimson and gold. The seats are deeply cushioned, designed with comfort in mind above all. Three tiers of seating are available - the stalls, the dress circle, and the grand circle. On either side of the dress circle are two banks of private boxes, each enclosed from the rest of the theater and provided with staff to attend to the needs of those within.

The stage is set with a proscenium arch, decorated in the same gold baroque style, as is the railing that surrounds the orchestra pit. When the house lights go down and the stage is illuminated, neat construction tricks make certain that the glint of gold in that shimmering stage light is never seen or perceived.

The offices of the Art Director, Technical Director, and the PR department are set behind the box offices; offices of the general managers and the owners of the theater and companies can be found on the dress circle level, tucked away behind the boxes and out of sight of the public unless directed toward them.

There is a Victorian-style building hidden behind the theater itself, wherein are housed all the workshops for the creation of sets, costumes, and props. This building also houses a substantial facility where all sets, costumes, and props are maintained and stored, for use in future productions. Everything in storage is available for rent to local groups and individuals, should they so wish. Inquiries should be made through the box office.

The attic houses eight rehearsal rooms - four, large and mirrored for ballet and chorus work, and four smaller rooms for principal blocking and private rehearsal. There are also two bathrooms in the attic, for the convenience of the performers there. Backstage is a close space; however, through silent doors is a small warm-up space, where performers generally wait to be called for their cues. Through another door is access to the stage door, always manned, which opens onto an alleyway leading to the main road.

Downstairs from this backstage area, and through another set of doors, lies the Green Room, off which are the six principal dressing rooms - rotated between the principal performers of each company - and two communal dressing rooms, separated into male and female. The prompt and stage manager communicate with performers via the intercom system. There are also three storage rooms on this level. Access directly to the stage door is through a separate doorway and up a separate staircase. All doors are locked with keypads, the codes for which are changed regularly, and known by staff, crew, and cast.
Last edited by Anthony De Luca on Fri Jan 14, 2022 4:32 pm, edited 7 times in total.
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Anthony De Luca
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Re: The Shanachie Theater - Layout

Post by Anthony De Luca »

Public Areas

The Auditorium from the stage
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The Lower Bar and Cafe
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The Upper Bar
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Anthony De Luca
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Re: The Shanachie Theater - Layout

Post by Anthony De Luca »

Backstage and Rehearsal Areas

Immediate Backstage and Warm Up Space, including Stage Door
Image

Green Room and Dressing Rooms
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Attic Rehearsal Rooms
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((Screenshots created by Mataya's player using Sims 3.))
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Anthony De Luca
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Re: The Shanachie Theater - Layout

Post by Anthony De Luca »

Exterior

The Shanachie Theater has a large park attached to it, including a car/carriage park, and an external amphitheater set up, just in case anyone fancies putting on an outdoor performance.

Theater Facade
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Amphitheater
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Re: The Shanachie Theater Layout

Post by Anthony De Luca »

As the Shanachie's "Grey Lady" is a permanent "resident" of the theater, I am posting info for her below.

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Hortense Docquey, the "Theater Ghost"

Often referred to as "The Grey Lady", Hortense haunts the Shanachie because it is the remodeled house her second husband built for her when she was living. Murdered in 1892 by the spirit that had possessed her step-daughter, she has not found rest, and only came into the knowledge of the theater owner during an encounter with the same demonic spirit that had destroyed her own life.

She tends to keep to herself, though the performers consider it good luck to see her on opening night, often in the Royal Circle or backstage. Those who rehearse alone on the stage report being aware of being watched and occasionally of holding conversations with the Grey Lady. Apparently she has good advice for nervous performers and does not hesitate to criticize where it is necessary.

Audience members do not often report having seen her, though she is more likely to be seen by those visitors to the theater during the more child-friendly production runs. Hortense clearly likes children and would be mortified to know she had frightened anyone.
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